Dalton

Dalton is quintessentially a film critic /essayist /festival advisor. Additionally, he’s the editor of Cinematic Illusions and the Journal of Indian Cinema; founder of the Cinema Society of India, which screens films; CEO of House of Illusions, a film studio that creates meaningful cinema; chief advisory board member of the Kautik International Film Festival; and artistic director of the Chalachitram National Film Festival. He has served on the music jury of Mahatma Gandhi University and on the film jury (west zone panel) of the 67th National Film Awards of India.
  • Film Certification

    ‘U’, ‘A’, and ‘U/A’ film certification

    Why are we encouraging our children/teens to view bloody, violent films? Are we attempting to breed a violent race? The Film Street Journal has been raising this all important issue in the reviews section, in the last few months, appalled at the lavish spectacle of blood and mass destruction...
  • Modern Times

    Modern Times

    A clock with the seconds-needle soundlessly completes a circle and a half around it, setting the opening tone for Chaplin’s satirical “story of industry, of individual enterprise – humanity crusading in the pursuit of happiness”: Modern Times, inhabited in the Depression years by the famished populace, jobless or underpaid...
  • Captivity

    Captivity

    Some films, such as Captivity, are made for a singular, shocking purpose: to capitalize on a sick audience’s thirst for sensationalism and the gross spectacle of human blood and gore. They also reveal, as in this case, the deteriorated condition of its maker’s mind. The filmmaker, decaying in the...
  • The Book of Eli

    The Book of Eli

    It took Moses forty years to cross the desert. When The Book of Eli opens, Eli (Denzel Washington) has already spent thirty years walking towards his chosen destination, quite appropriately, the West. His is a character much like that of an angel from the older of the two Testaments;...
  • The reader

    The Reader

    Circumstances and the prevailing laws of society can radically change ordinary people and compel them to commit atrocities. The Reader, produced by Anthony Minghella and Sydney Pollack (who both passed away prior to the film’s release), is a fictional case study. When a serious film opens with an extreme...
  • The Happening

    The Happening

    The majority of poor M. Night Shyamalan’s detractors probably anticipate from his films something on par with his debut feature, and therefore, always end up being a little disappointed. This is a pity, for his films aren’t all that awful. In fact, if they were to watch The Happening...
  • Rani Padmini

    Rani Padmini

    Of the urge to break free   There comes a time in every girl’s imagination when what she’d want above all is to throw a few things in a bag and hit the road all by herself. Now, this may not sound like the sanest thing to do, but...
  • Pathemari

    Pathemari

    Homage to the stoic toilers in the Gulf   Most every Malayali has had a whiff of the highly-perfumed Gulf-returnee or at least has heard tales of it. Pathemari presents a glimpse of the other side: the hardships and mental struggles of those who went to make something for...
  • Ennu Ninte Moideen

    Ennu Ninte Moideen

    Perfectionism can be quite a nice trait to possess; except that it runs the danger of being a little expensive. Especially in filmmaking, an art form in which time is money and paying attention to a wide range of details is a requisite. Ennu Ninte Moideen (Yours, Moideen), reportedly,...